Roscoe Tripp’s latest EP, We All, blends the familiar with the fresh, delivering a mix of two original tracks and two covers that showcase the band's versatility. Hailing from Washington, DC’s indie rock scene, they dive into a sound steeped in ’90s pop-punk energy, but with a mature, grounded edge that feels more reflective than nostalgic.
The EP opens with the title track, "We All," an anthemic burst of adrenaline that leans into its pop-punk roots without feeling like a retread of the genre’s youth-fueled angst. There’s a palpable sense of urgency here, with vocal melodies that hook instantly and a breakdown that hits like an emotional release. The chorus, with its soaring delivery, strikes a balance between catharsis and energy, making it one of the EP’s most resonant moments.
“When The Stalks Are Low (The People's Version)” takes a moodier turn, layering a deep, pulsing bassline under a brooding atmosphere. The track has a brooding intensity that recalls early 2000s post-punk revivalists like The Faint, building a simmering tension that keeps the listener hanging on each note.
The EP’s first cover, "Cut Self Not" by Faraquet, is a standout for its intricate guitar work. Roscoe Tripp’s version pays homage to the original while injecting their own groove, creating a prog-inspired flow that feels both tight and effortless.
Rounding out the EP is their take on Radiohead's iconic "Just." Rather than reinventing the wheel, Roscoe Tripp sticks close to the original’s blueprint, maintaining the same tempo and instrumentation. While faithful, it’s a reminder of the band’s ability to nail the nuances of the classics while still making them feel fresh.
We All is a strong showing of Roscoe Tripp's range and potential, with their originals standing shoulder-to-shoulder with the covers. It’s an EP that hints at even greater things to come.
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